These are the only concertos that Haydn wrote for himself to play: by his own admission ‘no great wizard’ on any instrument, nonetheless these agreeably tuneful early works show how Haydn’s nascent style was gaining shape and symphonic aspiration beyond the simple charm of Mozart’s superficially similar Church sonatas. These new period-instrument recordings take account of the latest scholarship, including research into the kind of organs Haydn played, with booklet notes by the soloist and director, Anton Holzapfel.
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